It is possible to perceive the domestic media as the huge market with stalls harassing two groups of customers: recipients and advertisers. As regards the press, distributors are intermediaries (Ruch, Kolporter), and in case of electronic media - ground satellite and cable broadcasting stations.
Especially from 1993 a main change was creating commercial radio and TV stations, earning their living exclusively off advertisements, next to existing already public ones. They are arousing the extraordinary interest private station the Polsat and three nationwide radio networks: RMF FM, the Radio Maryja and the Radio Zet.
Astonishingly quickly a TVN popularity grows, which 9 August 2001 also started with the twenty-four-hour news channel TVN 24, as well as the RTL 7 station. It is worthwhile recalling that stations broadcasting scrambled programmes obtained the concession for sending in Poland with satellite road: Canal + and FilmNet. Also a first digital lorry was started Wizja TV.
Into the decade of years 90. Poland entered with media national, subjected to the political control. Starting from the half of 1989 our media market underwent transformations, biggest probably from the time of the World War II. In editorial offices a technological revolution took place (computerization, offset printing), a number of recipients of the satellite television grew rapidly, and the radio passed on the digital technology.
Agreement of "round-table", backed up with an amendment to a bill in June 1989 caused the press legislation avalanche of press new titles, and liquidation of RSW "Prasa-Książka-Ruch", the only publisher of newspapers contributed to open another prospects for the Polish journalism. Also abolishing the central censorship office was a substantial change which to a considerable degree reduced the freedom of the statement.
According to the state at the end of 1995 in Poland about 5 thousand press titles were published, in it: 900 about general plots, over 100 about the youth and child`s subject matter, 800 - scientific and 1500 sublocal. They are estimating, that distributors are distributing no more than 2100 titles, the rest is reaching the recipient with the subscription or direct sales.
According to R. Filas, process of the metamorphosis of Polish media in years 1989 - 1995 we can divide in four phases:
- Of wild enthusiasm of new publishers
- Of the seeming stability and subcutaneous changes in the press and on the radio
- Of open fight for the market of media, especially for audio-visual media
- Of new developing the market.
From the second half of 1989, a flood of magazines covering various topics entered the press market. Among them, homemade erotic magazines did not catch on (later replaced by Polish versions of Western magazines published by companies like Scandinavia-Poland Publishing House). The number of cultural publications, association periodicals, and party press titles noticeably declined. A significant group of periodicals were published by the Citizens` Committees, with the goal of securing votes in the Sejm and Senate elections.
Foreign capital quickly showed interest in publishing in Poland. Early attempts included the launch of "Goniec Pomorski" in Koszalin with German investment and "Dziennik Dolnośląski" in Wrocław with substantial Norwegian support, followed by "Czas Krakowski," funded by French and Italian investors.
Next, major Western publishers joined the competition, aiming for a strong presence in the Polish press market with their own publications tailored to Polish readers. First, two versions of Western publications, "Popcorn" and "Dziewczyna" (Madchen), appeared through Phoenix Intermedia in Wrocław. Another Wrocław publisher, PP-U Makler, released Polish versions of German advisory magazines aimed at women.
The "Burda" monthly also began reaching Polish readers in the local language. Shortly after, the Bauer publishing house entered the market, launching "Bravo" as its first publication in Poland. Within two years, J. Marquard Ost Gruppe, already present on the Polish market, took over "Dziewczyna" and "Popcorn." Other major German publishers, led by Springer and Bertelsmann, joined Bauer and Burda, shaping the thematic focus, information delivery style, and graphic design - a major advantage of Western publishers. Their market position is evident: of the top 25 most popular weeklies in Poland, only ten titles belong to Polish publishers; the rest are primarily German, with two titles published by Swiss and American companies (data from 1998, according to Polish Readership Studies).
Among Polish publishers, Prószyński i S-ka deserves attention for magazines like "Poradnik Domowy" and "Cztery Kąty." Long-standing Polish titles such as "Pani," "Działkowiec," and "Detektyw" remain strong. Nonetheless, the highest print runs are achieved by Polish editions of foreign magazines: "Cats," "Elle," "Playboy," "Business Week Polska," "National Geographic," "Lady Fitness," "Cosmopolitan," "Przegląd - Reader’s Digest," and "Newsweek Polska," the newest Polish version of an international magazine, with its first issue published on September 10, 2001. Readers are also drawn to "partworks" (collectible magazines), primarily published by De Agostini and Marshall Cavendish, featuring titles like "Dinosaurs," "World of Knowledge," "World Life," "Easy PC," and "The Human Body."
***
Report prepared for journalism studies at the State Higher Vocational School in Wałbrzych
based on: Zbigniew Bajka "Journalism and the World of Media"
COMMERCIAL BREAK
New articles in section Media industry
Communication gap. Is anyone listening to Polish women?
Krzysztof Fiedorek
Brands claim they understand women. Media say they speak their language. Meanwhile the report "Polki 2025" shows that most messages still miss the mark. Women do not want empty slogans. They expect a dialogue that truly relates to them.
Most medical influencer posts on TikTok are FALSE
KFi
Researchers from East Carolina University Health Medical Center analysed 120 TikTok videos tagged with hashtags such as #naturalparenting, #antivaccine, and #holistichealth. The results of their study leave no doubt.
Dead internet theory is a fact. Bots now outnumber people online
Krzysztof Fiedorek
Already 51% of global internet traffic is generated by bots, not people. As many as two-thirds of accounts on X are likely bots, and on review platforms, three out of ten reviews weren't written by a human. Do you feel something is off online? It's not paranoia. In 2025, it's a reality.
See articles on a similar topic:
Deepfake Blurs Truth and Falsehood. Human Perception Research
KFi
Studies indicate that only 60% of deepfake images can be correctly identified by humans. As AI begins to dominate content production, the problem of differentiation fatigue grows – users lose confidence in assessing the authenticity of information and fall into cynicism.
Artificial intelligence in newsrooms. Three realities of the AI era in media
Krzysztof Fiedorek
According to a report by the European Broadcasting Union, many newsrooms already use AI but still do not fully trust it. Audiences do not want "robotic" news, and the technologies themselves though fast can be costly, unreliable, and surprisingly human in their mistakes.
Media in Poland 2022. How Poles Watch, Listen, Read, and Surf the Web
Krzysztof Fiedorek
Nearly two million Poles have access to a TV but do not watch television. For radio, the analogous group amounts to 8% of radio owners. Two-thirds of Poles reach for printed press, even occasionally, while the number of mobile internet users exceeds desktop users by nearly three million.
Artificial Intelligence and Digital Skills. The Future of the Job Market is Here
KFi
The world faces the challenge of digital transformation, and technological skills have become a gateway to career success. How do Europeans evaluate their abilities, and which industries are leading the way? A recent report by Pracuj.pl reveals which skills open doors to better careers and why AI is the future of work.




























