po polsku
However, there was no source of systematic information. As printers realized the demand for quick and detailed information, flyer newspapers began appearing every few days, or even daily, during the Swedish Deluge from 1655 to 1660. These newspapers included correspondence from all over Poland, gradually resembling periodical press.
The true title of "press" can be attributed only to "Merkuriusz Polski," which debuted in 1661. It was not merely a response to market demand but a deliberate move by the royal court to rally the nation for reforms. In short, it was a political-propaganda investment. King John II Casimir and Queen Ludwika Maria aimed to sway the masses toward governmental reform and secure a successor for the throne during King John’s lifetime, hoping to avoid chaos in a future election.
"Merkuriusz Polski" was the brainchild of the Grand Marshal of the Crown, Łukasz Opaliński. The first editor-in-chief was Hieronim Pinocci, an Italian by birth and a Pole in name, who already had journalistic experience, as he had been preparing a weekly information bulletin for the court.
Responsibility for printing "MP" was assigned to Jan Aleksander Gorczyn, a printer in Kraków. The first issue of "Merkuriusz" was released on January 3, 1661. Its full title was the catchy "Merkuriusz Polski, dzieje wszystkiego świata w sobie zamykający, dla informacjej pospolitej" (Polish Mercury, encompassing the world`s events, for public information). It was published weekly for 41 weeks, with issues ranging from 8 to 12 pages, in a 20x17 format, using Schwabacher typeface with Latin content in Roman and Italic fonts. Editorial preference leaned toward foreign news, but domestic events were not neglected. Domestic news focused on successes in wars against Moscow and the Cossacks. (Renowned historian Jerzy Łojek, who authored the book from which this information is drawn, argued that the propagandistic role of "Merkuriusz" was, at best, ineffective.)
On May 14, 1661, "Merkuriusz" moved its editorial office to Warsaw, as the Sejm was in session, and the entire court relocated there. After the Sejm, it disappeared.
There was no significant demand for "MP." Its circulation ranged from 100 to 300 copies. Amusingly, Łojek honestly admits that even historians have no clear idea who read it, who its audience was, or what impact it had on public opinion in Poland. It is known, however, that it reached several European capitals. To overcome language barriers, the king commissioned Pinocci to publish an Italian edition. The first issue was released at the end of January 1661 under the title "Continuatione del Mercurio Polacco." Six or seven issues were published, containing only news from Poland.
After the fall of "Merkuriusz," the press returned to the format of flyer newspapers, but with much lower frequency than during the Swedish Deluge. Renewed activity occurred during King John III Sobieski’s campaign to Vienna. Noteworthy titles included "Awizy," "Wiadomości różne cudzoziemskie," and Poland’s first literary-poetic monthly, "Mercurius Polonicus praecipuorum Europae eventuum epitomen..." by Jerzy Aleksander Priami, as well as "Poczta Królewiecka" by Jan Dawid Cenkier.
Although some historians believe that "Merkuriusz Polski" was not the first periodical newspaper in Poland, attributing that title to the mysterious "Nowiny Polskie" from Gdańsk, no copies of this publication have ever been found.
COMMERCIAL BREAK
New articles in section History of the media
El Mercurio de Valparaiso from Chile. The oldest Spanish language newspaper in the world
Małgorzata Dwornik
The first issue started a revolution in South America. It survived 200 years of turbulent history: headquarters fires, editorial office looting, economic crises, and dictatorship. Today, El Mercurio de Valparaiso holds a unique status in the Chilean media market. And the title of a UNESCO World Heritage site.
The history of La Jornada. Lesson in independence from a mexican daily
Małgorzata Dwornik
It was created through the determination of journalists and the support of a Nobel laureate. Even students and the homeless contributed to the first issue. It survived earthquakes, financial crises, and political attacks. Today, the Mexican daily La Jornada is a strong, independent brand.
Dimmalætting. History of the oldest daily in the Faroe Islands
Małgorzata Dwornik
The oldest newspaper in the Faroe Islands survived fires, bankruptcies, and the British friendly occupation. Although its end was declared many times, Dimmalætting has reported on archipelago life for 148 years. This title became a symbol of the struggle for identity for the Faroese people.
See articles on a similar topic:
The History of TOLOnews. Free media pioneers from afghanistan
Małgorzata Dwornik
For the first 10 years of its existence, TOLOnews journalists seemed to have clashed with nearly every prominent figure in the country. In 2016, they received France’s Freedom of Information Award. And all this in a country considered the most dangerous place for journalists. After the Taliban returned to power - even more so.
Gibraltar Chronicle. Second oldest newspaper published in English
Małgorzata Dwornik
The first four-page issue appeared on 4 May 1801 with the lengthy title "Continuation of the intelligence from Egypt received by His Majesty`s Ship Flora in three weeks from Alexandria". Eleven days later, the authors decided to shorten the newspaper’s name. That is how the Gibraltar Chronicle was born, and it still exists today.
The Kyiv Independent. A Ukrainian outlet born from conflict
Małgorzata Dwornik
On November 12, 2021, journalists dismissed from the Kyiv Post launched a Twitter account and the @savekyivpost campaign to defend their rights. Ten days later, a new English-language online publication appeared in Ukraine: The Kyiv Independent. It became a valuable source of information about the war in Ukraine and is funded through crowdfunding.
Kevin Carter. The story of a Bang-Bang Club photojournalist
Małgorzata Dwornik
His photo from Sudan, "The Vulture and the Little Girl", became an iconic image. Earlier, risking the death penalty, he and his friends documented apartheid crimes in his native South Africa. Kevin Carter, a Pulitzer Prize winner and the creator of thousands of powerful images, struggled with the weight of what he witnessed through his camera.
