menu
Weekly Online Magazine
ISSN 2544-5839
zamknij
Work In Media image

1.09.2025 Media industry

Television 2025. Report by the European Broadcasting Union

Krzysztof Fiedorek

Europeans are watching less and less television. In 2024, the average viewing time was 3 hours and 13 minutes per day. Only 54% of young people had any contact with TV, and public broadcasters held a 23% share. Television is losing relevance, especially among the youngest viewers.
Poczytaj artykuł wydanie polskie w wydaniu polskim

Television 2025. Report by the European Broadcasting Unionilustracja: DALL-E

Data from the report “Audience trends television 2025” by the EBU Media Intelligence Service shows that television viewership in Europe continues to decline, although the pace of that decline has clearly slowed. The past five years have brought a slow but steady transformation of the market, shifting from the dominance of traditional television sets to new forms of video content consumption.

The television set is becoming a rare guest in the living room


In 2024, the average European spent 3 hours and 13 minutes per day watching television. That is 18 minutes less than five years ago, but only 3 minutes less than in 2023. This stabilisation after years of decline suggests that television, though in retreat, still has its place in viewers’ daily routines.

However, data on youth tells a different story. In 2024, people aged 15-24 watched television for an average of 1 hour and 13 minutes per day. That is 21 minutes less than five years earlier. Interestingly, compared to 2023, there was a symbolic increase of one minute.

Year Europeans (all) Youth (15-24 years)
2019 3h 31m 1h 34m
2020 3h 46m 1h 40m
2021 3h 35m 1h 29m
2022 3h 22m 1h 18m
2023 3h 16m 1h 12m
2024 3h 13m 1h 13m


Over five years, the number of countries where young people watch television for less than 30 minutes a day has risen from 0 to 10. This shows that new generations are choosing other ways to consume content, such as smartphones, VOD platforms and social media.


Weekly contact with television is becoming rare


Television still reaches the majority of Europeans. In 2024, 79% of the population had contact with it at least once a week. However, five years ago this figure was 85.5%. Among young people, the drop is even more noticeable, from 66.7% in 2019 to just 54% in 2024.

  • In 2024, 18 European markets had weekly TV reach below 80% (in 2019, only 6).
  • Among youth, in 17 countries reach fell below 50%, while five years earlier that was the case in only 2 countries.

Although weekly contact with television remains broad, both the number of viewers and their engagement and regularity are declining.

Live television still dominates


The vast majority of television watched in Europe is still live broadcasting. In 2024, 87% of adult viewing time was spent on real-time programming, and only 13% on time-shifted content. Among youth, the split was 84% and 16%, respectively.

It is worth noting that the number of markets where at least 20% of television time is time-shifted increased from 2 to 12 in five years. Among young people, this growth was even more significant, rising from 8 to 15 markets.

This shows that viewers, especially young ones, expect greater flexibility. They increasingly want to choose when and how to watch their favourite content.

Public broadcasters are fighting for young people`s attention


Although the overall condition of television is weakening, public broadcasters have reasons for cautious optimism. Their daily market share in 2024 averaged 23.4%, unchanged from 2019. Among youth, that share rose from 15.9% to 18.4%.

  • 50% of main public channels are viewership leaders in their markets.
  • In 84% of countries, public channels ranked among the 5 most-watched stations.

Meanwhile, weekly reach of public television fell to 53.8% (from 59.9% in 2019), and among youth to 25.5% (from 33.4%). This means that although those who choose to watch public channels do so more willingly and frequently, the overall number of viewers, especially young ones, continues to fall.

Got a minute? Find out our #59sec REPORT on Youtube
60% of digital creators do not verify information before publishing
👇

Rich programming offer but change is needed


Public broadcasters remain a force in producing quality content. On average, 5 of the 10 most-watched programmes per year in each country are public service media (PSM) productions. The most popular genres include:

  • news and current affairs magazines,
  • dramas and scripted series,
  • entertainment shows and game shows,
  • cultural and musical events,
  • special broadcasts (e.g. national holidays).

However, this does not change the fact that changes in media consumption are advancing rapidly. Television is no longer the dominant medium, especially for young people. A growing priority is presence on digital platforms and tailoring content to audience expectations, with viewers unwilling to be limited by traditional schedules.

Television holds on thanks to older viewers


Viewership analysis by age group shows that behind the relative market stability lie two opposing trends. Seniors (60+) still spend a lot of time in front of the television, much more than younger viewers. This group keeps average viewing at a relatively steady level.

Meanwhile, people under 35 are turning to television less and less. This is not new, as young people have always watched less than older ones, but the gap is becoming increasingly stark. Public broadcasters must now ask themselves how to reach a generation growing up with TikTok, YouTube and Netflix.

***

The report "Audience trends television 2025" was prepared by the Media Intelligence Service team within the European Broadcasting Union (EBU). The analysis is based on official data from national television audience measurement systems (TAM) across 44 markets. It includes both live viewership and time-shifted viewing up to 7 days. The full report is available at ebu.ch

Share the article:

dodaj na Facebook prześlij przez Messenger dodaj na Twitter dodaj na LinkedIn

COMMERCIAL BREAK
Work In Media

New articles in section Media industry

New generations and the end of traditional news. Reuters Institute report

Krzysztof Fiedorek
Traditional news media are losing touch with the youngest generation of audiences, who grew up in a digital environment. Young people aged 18 to 24 spend time online continuously and expect publishers to take a fresh approach to presenting reality, according to a report by the Reuters Institute.

TVs in Europe, the USA and China. What and how we watch on them

Paweł Sobczak
The Living Room Study shows significant differences in video content consumption across different regions of the world. This is the result of diverse media ecosystems shaped by decades of local broadcasting, channel availability, and strong cultural factors.

Cinema in the era of algorithms and AI

Arkadiusz Murenia
Will artificial intelligence kill the creativity of filmmakers? The most honest answer is: no, AI is unlikely to kill the creativity of filmmakers, but it will very clearly change the place where this creativity manifests itself and, above all, how.


See articles on a similar topic:

Disinformation and Fake News. Experts Discuss Challenges for Journalists

RINF
The pandemic, followed by the war in Ukraine, triggered a massive wave of disinformation in media and social channels. Experts at the Impact’22 Congress in Poznań and the European Economic Congress in Katowice discussed effective strategies to combat disinformation.

Fake News in Poland. Challenges in Assessing Information Credibility

RINF
One in four information consumers relies on sources where verifying credibility is a significant challenge. Fake news remains a major issue, as indicated by 77% of respondents, with 51% admitting they struggle to discern truth from falsehood, according to Deloitte's *Digital Consumer Trends 2021* report.

Artificial Intelligence is ALREADY Outperforming Humans in Creativity

Krzysztof Fiedorek
ChatGPT, an AI model based on the GPT-4 engine, achieved better results than the vast majority of students in the standard Torrance Test of Creative Thinking (TTCT), which evaluates creativity. The study was conducted by researchers from the University of Montana.

Artificial Intelligence in the Media. Reuters Digital News Report 2024

Krzysztof Fiedorek
AI has gained prominence in recent years, and its application in producing, distributing, and presenting news content continues to grow. However, this development is met with mixed feelings by audiences, which has significant consequences for media trust and its future.

More in the section: Media industry

Work in media

United States
New York • Washington DC • Los Angeles • Chicago • Houston • Phoenix • Philadelphia United Kingdom
London • Birmingham • Manchester • Liverpool • Glasgow • Edinburgh Canada
Toronto • Ottawa • Montreal • Calgary Australia
Sydney • Melbourne • Brisbane • canberra Ireland, New Zealand, India

advertisement

Drones. For PRO. On discount




community

Facebook LinkedIn X Twitter TikTok Instagram Threads Youtube Google News Blue Sky Social RSS

Reporterzy.info - online media studies magazine. The world of communication from the inside. Media, journalism, PR and marketing. Data, reports, analyses, advice. History and market, law, photography, job offers.



Reporter shopping

Reporter shopping

Affordable laptops, notebooks and netbooks
Affordable laptops, notebooks and netbooks
for writing
Digital SLR and compact cameras
Digital SLR and compact cameras
for photographers
Books and e-books about media
Books and e-books about media
for reading
Video drones and flying cameras
Video drones and flying cameras
for pilots
Gimbals for stabilizing video
Gimbals for stabilizing video
for those on the move
Software and apps for creative work
Software and apps for creative work
for digital creators
More occasions

advertisementMedia Review 24/7
Read books and e-books

Read books and e-books

Okładka Media Control. The Spectacular Achievements of Propaganda
Media Control. The Spectacular Achievements of Propaganda
Okładka The 40-Day Social Media Fast
The 40-Day Social Media Fast
Okładka Social Media Marketing All-in-One For Dummies
Social Media Marketing All-in-One For Dummies
Okładka Mass Communication: Living in a Media World
Mass Communication: Living in a Media World
Okładka Trust Me, I`m Lying: Confessions of a Media Manipulator
Trust Me, I`m Lying: Confessions of a Media Manipulator
Okładka Hate, Inc.: Why Today`s Media Makes Us Despise One Another
Hate, Inc.: Why Today`s Media Makes Us Despise One Another
more books and e-books

Reporterzy.info

More about us

Our tools and services

Contact


© Dwornik.pl Bartłomiej Dwornik 2oo1-2o26